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Rubens' work radiates energy and depicts a vertiginous perception of the pleasures of life. The bright colours and limitless imagination glorify the world in all its splendour.Rubens has a profound influence on subsequent painters: his heroic ideals are reflected in Antoine Watteu's chivalric scenes and the hunting scenes in Eugène Delacroix's works; his laudable paintings of the beauty of the female form evoke Auguste Renoir's nudes.

Art, Baroque --- Baroque art --- Rubens, Peter Paul, --- Rubens, Peter Paul --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Criticism and interpretation. --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo,

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Peter Paul Rubens werd in de zeventiende eeuw wereldberoemd met zijn grote en grootse taferelen voor dramatiek en emotie. Gespierde helden en bevallige dames beleven daarin wonderlijke avonturen, en ook de lijdensweg en de dood van Christus wist Rubens beklijvend in verf te vatten. Nog steeds associëren we de Antwerpse kunstenaar met dat soort pronkstukken. Toch schilderde hij ook kleinere, meer ingetogen schilderijen. Een zeeman en een vrouw in omhelzing is daar een treffend voorbeeld van – en wat voor een! Rubens observeert direct, is eerlijk in zijn observatie en toont zo de mens in al zijn menselijkheid. In zijn historietaferelen sublimeert hij die menselijke eigenschappen vervolgens tot een goddelijke apotheose. Maar soms, zoals in dit intieme werk uit ca. 1615-1618, versterkt Rubens het menselijke net, tot op het punt dat het bijna dierlijk wordt. Dat doet hij bewust: volgens Rubens’ artistieke theorieën bezitten mensen dierlijke karaktertrekken, en die vertalen zich ook anatomisch. Rubens-expert Nils Büttner analyseert het werk en ontdekt de vele gelijkenissen met andere kunstwerken van de meester.

Rubens, Peter Paul. --- Iconography --- Painting --- Rubens, Peter Paul --- painting [image-making] --- Painting [Modern ] --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- 75.071 RUBENS --- Rubens Peter Paul --- barok --- België --- zeventiende eeuw --- kunst --- 75.034 --- schilderkunst --- Peter Paul Rubens --- schilderkunst - barok, koloniale stijl, renaissance en rococo --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo,

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Figuring Faith and Female Power in the Art of Rubens argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them. Today, Rubens's paintings continue to be used -- and abused -- to prescribe and proscribe certain forms of femininity. Repositioning some of the artist's best-known works within seventeenth-century Catholic theology and female court culture, this book provides a feminist corrective to a body of art historical scholarship in which studies of gender and religion are often mutually exclusive. Moving chronologically through Rubens's lengthy career, the author shows that, in relation to the powerful women in his life, Rubens figured the female form as a transhistorical carrier of meaning whose devotional and rhetorical efficacy was heightened rather than diminished by notions of female difference and particularity.

Women in art --- Human figure in art --- Human body in art --- Art --- Composition (Art) --- Figurative art --- Anatomy, Artistic --- Figure drawing --- Figure painting --- Rubens, Peter Paul, --- Rubens, Peter Paul --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Criticism and interpretation. --- women [female humans] --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- schilderkunst --- vrouwelijke kunstenaars --- 17de eeuw --- Zuidelijke Nederlanden --- Women in art. --- Human figure in art. --- Rubens, Counter Reformation, Gender, Baroque, Flemish art. --- schilderkunst. --- vrouwelijke kunstenaars. --- Rubens, Peter Paul. --- 17de eeuw. --- Zuidelijke Nederlanden.

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Wallace Stevens, Poetry, and France offers the first book-length study of the various effects–poetic or prosaic, serious or comic, strange or familiar–produced by the deployment of French languages and cultures in Stevens’ poetry. Prominent Stevens scholars reexamine here a number of key issues, from angles as diverse as translation studies, aesthetics, linguistics, comparative literature, French theory, and politics, raised by Stevens’ special relation to France around the writing of poetry.

figures [representations] --- Théorie de la figure humaine --- physiognomy --- pattern books --- Rubens, Peter Paul --- Aveline, Pierre --- Aesthetics of art --- Human figure in art --- Rubens, Peter Paul, --- Aesthetics --- human figures [visual works] --- Anatomy, Artistic --- Proportion (Art) --- Early works to 1800 --- Human figure in art - Early works to 1800 --- Anatomy, Artistic - Early works to 1800 --- Proportion (Art) - Early works to 1800 --- Rubens, Peter Paul, - 1577-1640 - Aesthetics --- Aesthetics. --- Human body in art --- Art --- Composition (Art) --- Figurative art --- Figure drawing --- Figure painting --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- poetry --- Wallace Stevens and France --- translation and aesthetics --- Morphopsychologie --- Visage dans l'art --- Rubens, Peter Paul, - 1577-1640